PIGMENTS
Earth colours. Powders. Lakes. Dyes. Ochre.
Alchemical inspirations.
The delight of the unforeseen
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SOURCED, GROUND, MULLED
BY HAND
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The allure of these material sources for our pigments emerges from the unique properties of each source at that specific ecological age and moment in time.
While a chemist might label the lack of singularity in each source as 'chemically impure', it's precisely this natural variation that creates space for discovery, unveiling the unexpected, the exciting, and the authentically mystical.
Umber Dark
NATURAL LOAM AND CLAY
Natural Earth and Ocher pigments are composed entirely of natural colours from the earth. Due to their semi-transparent properties, they may not impart as intense of a tint as manufactured Oxides when used in opaque mediums like plasters or white paints.
WHIRO
BLACK SAND AND LOAM
Black Sand from our west coast beaches, a fantastic source of iron oxide, from deep inside the earth, expunged through volcanic activity, purified and refined for centuries of harsh ocean waves carrying it north and laying layer after layer onto the shores.
HOLLOW
VOLCANIC OBSIDIAN
Excellent as an opaque support for our more delicate or transparent natural pigments in our formulations.
Composition:
Silica.
Aluminum oxide.
Calcium carbonate.
Magnetite.
Magnesium.
Obsidian consists of approx. 75.5% SiO214.11% Al2O31.74% Fe2O30.78% CaO3.92% Na2O3.63% K2O 0.39% H2O
Kōkōwai | Red Ochre
Pigment: Red Ochre - Natural loam, limonite
Kōkōwai
https://teara.govt.nz/en/object/45523/kokowai-pigment
Source Location:
Wairoa River outlet,Te Puna.
Te Whakarewarewa Valley, Rotorua
Composition:
Ferric oxide, Haematite, C.
Colour Index:
Hiding power: Opaque
Lightfastness: Good. Permanent to UV
Tanekaha Bark
Tanekaha (Phyllocladus trichomanoides) bark
red/brown
Harekeke
Pigment:
obtained from Phormium tenax, Harekeke / the New Zealand flax plant.
PG17
Chromium Oxide Green
Chromium Oxide Green
PG17
copper carbonate
Kawakawa | Nephrite
The Arahura River
Kawakawa Pounamu, named after the kawakawa leaf,is the darkest green shade of all pounamu, ranging from emerald-green to almost black, and its rich and intense tone often includes tiny dark inclusions/flecks.
As an opaque stone, it is only translucent at the extreme edges of a slab or when very thinly sliced and held up to the light.
Composition:
Silicate of calcium and magnesium
Colour Index: PG - green
Hiding power: Opaque
Lightfastness: Good. Permanent to UV
Kahikatea
Obtained from Kahikatea berries
#PR102
Rose red: Quinacridone Rose pigment PV19
Cool red: Quinacridone Magenta pigment PR122
Red Ochre
Indigo
Pigment: Indigo
Colour Index: VB1
Hiding power: Transparent
Lightfastness: Moderate
gentian violet
Carbon
Our New Zealand made Activated charcoal is sustainably made shells from bi-products produced by our forestry and milling industries.
Activated carbon has an almost unbelievable surface area. Just one teaspoon (5 ml) of activated carbon has a surface area of between 1 and 2 hectares (10,000 m² – 20,000 m²).
Adsorbance (as opposed to absorbance) is the measure of how much microscopic matter can stick to a surface. As you can imagine, a substance with a super-high surface area can have a lot of stuff stick to it. The superior adsorbance of Activated Charcoal is responsible for its detoxifying and cleansing properties.
The activation stage of activated carbon involves very high temperatures without burning (oxidising) the material. This process evaporates virtually all of the other elements and leaves a product that is made up of around 95% carbon, 5% oxygen, and trace amounts of other common elements.
The remaining activated carbon is itself an effective adsorber of impurities, so anything that’s left besides carbon after activation is completely bound to the product. It’s pure because it’s a purifier!
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NATIVE NZ DYES
Natural dyes were used by Māori, principally for dyeing the fibres obtained from harakeke, or New Zealand flax (Phormium tenax), and cabbage tree (Cordyline). There were three main dyes used:
• iron-tannate, to produce black;
• raurekau (Coprosma grandiflora) bark, to produce yellow;
• tanekaha (Phyllocladus trichomanoides) bark for a red/brown colour.
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harakeke, or New Zealand flax (Phormium tenax), and cabbage tree (Cordyline). There were three main dyes used:
• iron-tannate, to produce black;
• raurekau (Coprosma grandiflora) bark, to produce yellow;
• tanekaha (Phyllocladus trichomanoides) bark for a red/brown colour.
Dioxazine / Carbazole
Dioxazine violet PV23 (or it's cousin PV37) is a lightfast to impermanent, semitransparent, heavily staining, very dark valued, dull violet pigment, available from about 30 pigment manufacturers worldwide for use in plastics, inks, paints and foods. The hue is similar to (but much darker than) ultramarine violet or cobalt violet deep. Its tinting strength is very high, on a par with phthalo green (PG7) and phthalo blue (PB15).
PV23 is a good choice for color point 6 on the color wheel, is useful for reducing the saturation of paints on both the warm and cool sides of the color wheel, and produces potent dark shades when mixed with the likes of phthalo green (PG7) or quinacridone violet (PV19).
Dioxazine Purple is one of the bluest shades of violet I tested. But even so it is a violet, therefore falls between red and blue. It mixes well with most other pigments in our pallet. The red characteristic of this pigment mixes well with any yellow, orange, red or violet and the blue characteristic of this pigment mixes well with most blue, turquoise or green. "
"While Dioxazine Purple is classed as ASTM II it is right at the top end of ASTM II colors and has a reputation in industry for very little fading and only then in the lightest tints. In short, Dioxazine Purple is a very light-fast pigment that can be used with confidence by the artist."
Dioxazine/Carbazole comes from coal tar.
"It can be created synthetically, but the process isn’t economically viable.